Choral voicing is a technique with long-standing history used by choral directors to seat singers based on characteristics of the voice - color, tone, timbre, placement, and vibrato. Contrary to popular belief, this technique is not just for college and professional choirs. Try it at home with your church choir, community choir, and even children's choirs! It will be well worth your time.

Each voice has a unique series of overtones, which contributes to timbre (source). The ideal choral sound is based on overtone series that complement each other rather than clashing. Having singers with like, complementary voices stand next to each other creates a natural "blend" that does not require singers to compromise their vocal technique. Did I mention it fosters the best intonation? It's a win-win, really.

Here are some of the best-kept secrets of choral voicing:

If you work with a small church choir, you know the challenges of having an anthem (or two!) ready every Sunday. Sometimes, you check the sign-out calendar and realize you won't have any Altos next week.

Sometimes, service plans change at the last minute.

And sometimes, you just need a no-fuss, simple solution for the Sunday anthem slot.

Perfect for Sundays when you haven't had a rehearsal, or times when you have a slimmer crowd (think holiday weekends or during the summer), here are a few quick ways to create no-fuss, instant anthems for your choir:

Hymns

Your hymnal is a great resource! Choose a crowd favorite, one with 4-part writing and singable lines, and experiment with ways to sing each verse:

- unison women or men
- additive by phrase (S, SA, SAT, SATB or S, ST, SAT, SATB)
- 4-part
- Sopranos singing the Tenor line as a descant, everyone else in unison on the melody
- one section singing the melody on text while the others sing the harmony parts on "ooh"
- Tenors singing the melody (Sopranos singing the Tenor part up an octave)

Vocal warm-ups are an important part of singing, but they offer many other benefits in a choral setting. Choral warm-ups are an important and powerful tool to get your group singing together with a good tone, resonance, and proper breath support (source). Plus, there are many ways to include pedagogy and teaching in these first few minutes of the rehearsal that will save you time later.

Warm-ups are often an after-thought in rehearsal planning and many choirs tend to do the same batch of exercises every week. There's nothing wrong with this, per se, but if you spend just a few minutes thoughtfully planning warm-ups that prepare concepts from the repertoire, warm-ups become a valuable teaching tool. There are several benefits to this approach:

Your choir will be more engaged. By mixing up the warm-up exercises each week, you offer your choir a new challenge every time they come to rehearsal. They will likely pay more attention and be more engaged while singing.

You will spend less time introducing new pieces. By preparing new concepts in the warm-ups (e.g. triple meter or vowel placement or a melodic phrase), your choir will be practicing a challenging spot from a new piece without even realizing it!

Church musicians, in my opinion, have the dual role of making/teaching music and encouraging faith formation within a community. It can be challenging to negotiate these two roles, but I believe ministry is just that - balancing and negotiating, challenging and encouraging, building up and bringing together.

It's not just a job. It's something we pour our hearts into.

Today, I'm sharing a few books to add to your bookshelf (or share with a church musician you know!). Many of these are practical, encouraging reads written by church musicians, for church musicians. What could be better?

Have you ever needed an instrumental piece for worship at the last minute? If you've found yourself in this situation, then you know it can be complicated and time consuming to track down a piece that will work. Because, after all, you're not just looking for any piece of music; you're looking for something that fits the theme of the day, is the right length, is in the right key, is manageable enough to put together the morning of, and is easily accessible (i.e. downloadable or something you already own).

As someone who's been in this situation many times, I've come up with a quick and easy solution: creating instrumental arrangements from music I already have (choral octavos, solo piano music, hymn harmonizations, vocal collections, etc.). 

This fall, SD and I are starting an intergenerational (youth and adult) choir at our church. The church has a strong children's choir program (through 6th grade) and a good size adult choir (30-40). Our program is a short, 8-week session designed for people who love to sing - no prior experience necessary. We meet once a week for an hour and at the end of the session, we'll combine with the adult and children's choirs to sing an anthem in worship.

We created this group for people that like to sing but feel uncomfortable jumping right into the adult choir, those who can't make Wednesday night rehearsals or don't feel they can make the year-long commitment, and those who've never formally sung in a choir but want the experience.

It sounded good on paper.

We gave the invitation by email, print mailings, and the weekly bulletin. We made an announcement in church one Sunday. We shook hands with people we didn't know at Coffee Hour.

One week before our first rehearsal, we had four people signed up.