I first heard about this book from one of my grad school professors.
We were sitting around a long table one snowy January evening at our annual dinner for current and prospective doctoral students. I asked my professor about books he was reading lately and he named several including Malcolm Gladwell's Outliers and Carol Dweck's Mindset.
How can we as teachers add variety and musical interest to their repertoire lists? How can we include more diversity in the composers we choose and the musical styles we teach?
A few weeks ago, I wrote a post with 15 supplemental collections for elementary piano students. Today, I’m sharing my favorites for intermediate students.
Confession: I’ve always struggled with written assignment sheets.
I know they’re important for home practice, but what about when a student doesn’t take their assignment notebook out of their bag all week? I wanted to find a better solution.
Looking for an alternative to handwritten assignment sheets in your studio? Here’s an easy 5-step guide to using Notability.
Have you ever used an incentive program in your music studio?
This might be a month-long practicing challenge, an annual assessment period, or a summer music camp (or other break-week).
This is a great way to keep momentum in the studio, encourage good practicing habits leading up to our end-of-year recital, and assess where my students are in all facets of their musicianship.
Looking for a fun, creative theme for your next studio incentive program? Here are five to consider.
Every year in my studio, we celebrate the end of the school year with a spring recital.
Each student prepares two pieces — sometimes memorized, sometimes with duets played by me or a parent or an older sibling or even a friend in the studio, and always with lots of supportive friends and family members in the audience.
This spring, like teachers around the world, I found myself suddenly immersed in the world of online teaching.
I knew that instead of gathering in person in the school theater on a Saturday morning in late May, we’d need to find another way to celebrate this year. We’d need to find a way to move the recital (like everything else in life) online.
A few weeks ago, I made the decision to keep my studio virtual this year.
Some schools are reopening here (with lots of precautions, staggered starts, alternating live and virtual days, etc.), including the school where I normally teach. I spent a lot of time this summer thinking about the in-person lesson experience and what that might look like:
A few years ago, I started teaching monthly group classes in my studio.
The idea was to include more opportunities for informal performance, observation, musical discussion, and developing musicianship skills in a supportive group environment. All students are invited and encouraged to play something each time, even just part of a piece.
This gives us an opportunity to:
show works in progress
talk about practicing, learning processes, challenges, and rewards
give feedback (positive + constructive)
I also plan a few musical games and activities related to listening, movement, creative musicianship, and composition — things we can’t really do in our one-on-one lessons.
This year, I planned to teach five studio classes specifically for 3rd-6th graders, two studio classes for 7th-12th graders, and monthly buddy lessons for my K-2nd grade students.
But what to do when the world shuts down and everything moves online?
Host a Zoom studio class, of course.
Last week, I taught two studio classes (3rd-6th grade and 7th-12th grade) and two buddy lessons (K-2nd grade). Here’s a behind-the-scenes look at how I set these up, how I structured our time together, and what activities I created to play virtually.
