Every church musician has their go-to resources for worship planning, anthem selection, ministry leadership, and rehearsal planning. Some might say their planner; others, their hymnal. Some of you might find the lectionary an invaluable resource for planning and a one-a-day devotional for staying inspired. But what about when you're away from your desk?

Over the past few years, I've found a few resources that I go back to again and again and the best part? They're all online.

From worship planning to anthem selection, hymn choices to choir devotions, here are some of my all-time favorite online church music resources:

Hymnary.org

Do y'all know about Hymnary.org? This is one of my favorite resources.

Hymnary.org features a huge database of hymns from all different hymnals. Look up texts, additional verses, hymn tune information, and much more. Search by text, tune, writers, Scripture reference, or topic, and look up tables of contents for hundreds (thousands?) of hymnals and hymnal supplements. This site also features links to choral anthems, instrumental arrangements, and digital scores.

There are lots of thoughts and opinions out there on choral seating formations: some swear by sopranos and altos in front with tenors and basses behind, others advocate for stacking sections (front-to-back), and still others say mixed formations are the way to go. The truth is, there's really no right or wrong way to do it, though you may find some formations work better for your group or for particular pieces you're singing.

That's why, in today's post, I'm sharing ten different ways to seat a choir. I'm also mixing things up a little by sharing my first-ever infographic! Before we get into seating formations though, let's talk about one basic principle that applies no matter what: 

The Power of the Curve

Sitting or standing in a curved formation makes a huge difference with listening, tuning, and choral blend (source). In The School Choral Program (2008), Michele and Holt and James Jordan describe two key reasons why sitting or standing in straight rows causes problems:

I tend to do a lot of reflecting at this time of year. What did we do this year? How did we grow or change? What worked well? What didn't work? How did I do on my goals? What do I want to make happen in 2016?

With that comes an honest look at my blog and website and finding out what really resonated with all of you. I review search terms, blog topics, and popular pins on Pinterest, and look back on the most popular posts. I brainstorm content and themes for the coming year, start researching helpful resources, and outline a preliminary editorial calendar.

Last year, for the first time, I did a little round-up of the most-read posts in 2014 (read it here). Today, I'm continuing the tradition by featuring the top 10 posts from 2015. Enjoy!

As all choral accompanists know, playing from open score is a fact of life. At one point or another, you'll likely find yourself sitting at the keyboard in front of a choral score with no piano reduction, forced to muddle your way through reading four lines of music at the same time. How can you prepare? What can you do to develop this skill?

If you have the opportunity to practice in advance, there are a few things you can do:

1. Practice systematically.

This is probably the most common piece of advice you'll receive, but careful, systematic practice is a helpful first step toward developing this skill and training your eyes to read four lines of music at once. Begin by playing each part individually - soprano and alto parts with your right hand, tenor and bass parts with your left hand.

Once you've played each part, practice them in all 2-part combinations: SA, ST, SB, AT, AB, TB. Again, try to keep SA parts in your right hand and TB parts in your left.

As a music director, you wear a lot of hats.

You direct, you play, you email, you plan, you listen, you conduct, you coordinate, etc. Your time is valuable and you know that your rehearsal time is valuable. How can you make sure you're making the most of it? It always helps me to start by getting organized. There's something about crisp file folders, colored pens, pretty charts, and a few fun paper clips that makes me feel more confident, productive, and ready to get to work.

Not sure where to start? Here are five things to organize in your music program to help things run smoothly this year:

Earlier this week, I shared some of my all-time favorite church music collections for piano. Today, I'm adding to that with a list for organ! These collections are particularly well-suited for new organists, or those of you may not have played for a while and are looking for a way to ease back into all-out, full-pedal-work playing. As someone who's getting back on the bench this year after a few years away, I'm with you! These are some of my go-to resources right now:

1. Five Preludes on Familiar Hymns (Hopson)
Accessible writing makes this book a must-have. Five hymn preludes you can pull out and play with little preparation!

2. Baroque Music for Manuals #1 (Wolff)
A great series of books with a wide variety of (Classical) music (with optional pedal). Great for weddings or service music.

As all church pianists know, good piano arrangements are a necessary part of what we do. From preludes to postludes (and everything in between!), having collections that you can pull out and play from over and over are golden! I've collected several books over the years that I go back to again and again. The arrangements are fresh, accessible, and versatile, they fit well in various parts of the worship service, and they're fun to play! Looking for something new to play this year? Look no further. Here are my top 10, tried-and-true favorite collections for church pianists:

1. Classic Hymns We Love (various)
Twelve favorite hymns arranged by arrangers such as Mary McDonald, Pepper Choplin, Mark Hayes, and Ruth Elaine Schram. A go-to for preludes, offertories, and postludes!

Preparing for an interview? Wondering where to start?

The interview process is never easy, but preparing in advance can help you feel more confident and relaxed and help you give more thoughtful responses.

Having recently gone through a church interview (and gotten the job - yay!), I thought it might be helpful to share a bit of my process - how I prepared, questions I asked, responses I thought through, and things I reminded myself about in the moment.

Everyone's process is a little different, but here are a few things that helped me:

I love discovering new choral anthems, especially ones that are musical, have great text, and are accessible for small church choirs. A few years back, I wrote this post with my top 50 favorite church choir anthems. Today's post is a follow-up, with 50 more anthems to consider adding to your choral library!

General

1. All Things Bright and Beautiful (Rutter)
2. Answer to the Call (McDonald)
3. Didn't My Lord Deliver Daniel (arr. Emerson) - SAB
4. Do Not Be Afraid (Stopford)*
5. Hiding In Thee (Berry)
6. I Believe (Miller)
7. I Must Tell Jesus (arr. Shackley) - SAB
8. Keep God's Light (Patterson)
9. More Love to Thee (Shaw)*
10. My Shepherd Will Supply My Need (arr. Culloton)*

We had a great time at Lake Junaluska a few weeks ago for Music and Worship Arts Week! One of my favorite things about this conference is all the music we get to hear, read, and sing through, from choir performances to reading sessions to combing the pop-up music store.

Like last year, I thought it might be fun (and helpful!) to share a few of my favorite new finds from this year's reading sessions. Some of these are new titles, others are just new to me, but regardless, if you haven't heard these pieces, you're in for a real treat! SD and I are pretty careful with what we choose to keep and leave behind, and these are our favorites of the stack we brought home with us.

Enjoy!