Spies, Shepherds, and Starry Nights: Christmas Musicals for Children's Choir

Spies, Shepherds, and Starry Nights: Christmas Musicals for Children's Choir

We've all seen it: Children dressed in sheets with rope belts and felt beards, carrying shepherds' crooks and reciting the oh-so-familiar lines of the nativity story. 

The Angel Gabriel, with a halo made of twinkly lights and holding a cardboard star wrapped in tin foil shares the good news. 

Mary and Joseph enter as everyone sings "O Little Town of Bethlehem," and let's not forget the darling 3-year-olds dressed like lambs with felt-ear headbands and cotton-ball-covered shirts.

There's no denying it - children's Christmas programs are pretty adorable.

There are dozens of children's Christmas musicals out there, with topics ranging from the Wild West to outer space to the 1950s, most with some sort of modern spin on the original Christmas story. 

Some include production notes with ideas for set design, staging, and costumes. Others can be put together in less time with just a small group of children. Many include familiar carols of the season along with original music.

5 Ideas for Creating Meaningful Advent Services

5 Ideas for Creating Meaningful Advent Services

Advent is a time of waiting. Preparation. Anticipation. Expectancy. Hope. We retell the story we all know by heart. We reread the prophecies and remember the journey - the years of waiting, the sense of unknown.

We light candles and sing ancient songs and dwell in the moments of darkness before the season of light, holding on to hope and promises yet to be fulfilled.

This is the essence of the Advent season, for me.

How can we convey this in worship? How can we make this season more meaningful? How can we capture the quietness, the sense of wonder, the shimmering light in the midst of darkness in our Advent services? 

Here are 5 ideas: 

How to Write Your Own Choir Christmas Program

How to Write Your Own Choir Christmas Program

A few weeks ago, I received an email from a music director asking for ideas and suggestions for a Christmas program for her small adult church choir. 

I had already planned to write this post sometime later this month, so I thought I'd share my thoughts and ideas now, in case some of you have the same questions. 

Also, I'm using this post to kick-off a mini "Christmas in August" series, so grab a cup of hot chocolate (or iced mocha) and enjoy!

The first step in planning a Christmas program, I think, is choosing a format. What kind of Christmas program will this be? What resources are available to you? Who will participate? 

Here are three formats you might consider:

Top 20 Contemporary Music Resources

Top 20 Contemporary Music Resources

A few weeks ago, I wrote a post called, "Contemporary Music for Traditional Congregations," which included practical suggestions and a list of 20 accessible contemporary songs for more traditional worship (read it here, in case you missed it). I know what you're thinking: "That's great, but where do I go to actually find this music?"

I asked the same question earlier this year. You see, our church is currently having these same conversations. In fact, we're talking about it in a series of meetings this week:

- How can we begin incorporating more contemporary music into our services?
- Where do we find this music? 
- Who from our church can sing/play/lead it?

I did a little homework and today, I'm sharing a round-up of contemporary music resources - places to listen to and download individual songs (lead sheets, chord charts, instrumental parts, choral scores, etc.), where to find lyrics, and several useful collections for choir, praise team, and congregational use.

Happy searching!

The Church Choir's Guide to Vowels: Part II

The Church Choir's Guide to Vowels: Part II

Earlier this week, I shared Part I in a new series called "The Church Choir's Guide to Vowels. Part I included everything you need (and ever wanted) to know about vowel production, vowel placement, tone, and diphthongs and triphthongs.

Today, I'm sharing Part II with some of the most common "problem vowels" and helpful strategies for fixing them in rehearsal.

But, before we can get talk about problem vowels, we need to talk about what they look (and sound) like and how to diagnose them.

Here are some common choir problems you may have faced:

Problem #1: My choir has a tendency to sing flat or sharp.

This might be related to a lot of things - breath, posture, vocal production, etc. But, it might also be a vowel problem. If that's the case, manipulating the vowels a bit might do the trick.

The Church Choir's Guide to Vowels: Part I

The Church Choir's Guide to Vowels: Part I

Whenever I think of vowels, I think of this scene from Singin' in the Rain:

Any other Singin' in the Rain fans out there?

All jest aside, vowels are a vital component of the English language - spoken and sung. We talk a lot about consonants with our choirs, particularly with words like "God" and "bread" and "heart" that have strong beginning and/or ending consonants. But, what about vowels? How do we talk about them?

For those of you who studied voice or have read up on vowel production, you might know the difference between pre-, post-, and medio-palatal regions off the top of your head. For the rest of the world, the subtleties of vowel production, tongue placement, tone, and IPA symbols are a little more vague and mysterious.

And when it comes to talking about these things with your choir? Well, you can imagine how that might go (and all the jokes the basses will make).

But, no matter your background or the level of your choir, vowels are a significant and vital part of choral-singing. In fact, "Vowels are just as important for intelligibility as are consonants." (source) 

Prayers for Choirs: No. 7

Prayers for Choirs: No. 7

"O come, O King of nations, bind in one the hearts of all mankind.Bid all our sad divisions cease and be yourself our King of Peace."

It's a carol we sing during Advent, but we carry the words with us as a prayer throughout the year, especially in the midst of strife and war and heartache.

Deep down, we know that God is with us; but I think we forget, sometimes. It's easy to think of God as enthroned in the clouds above, watching over us instead of walking beside us. That if he were really here, on earth with us, that bad things wouldn't happen.

We're an imperfect people in need of a Savior. And there will always be light and darkness, love and hate in the world. The truth is God is with us, now to the end of the age (Matthew 28:20). All we have to do is ask him to "come."

Come, be our help. Grant us peace. Heal our world. Come, save us.

Amen. Come, Lord Jesus.

Contemporary Music for Traditional Congregations

Contemporary Music for Traditional Congregations

"We need to keep up with the times!""We need to preserve our history!""We need to attract more millenials!"

Contemporary vs. traditional. It's enough to spark debate (or cause a war) in some congregations. But why does it have to be one or the other? Why does including contemporary music mean that we can't have a choir or use the organ or sing hymns? I believe there is a place for both in modern worship.

Emerging in the late 1960s and early 1970s, Contemporary Christian Music (CCM) was influenced by the Rock 'n' Roll of the 1950s and popular styles of the times (source). Today, contemporary worship often refers to musical style (rather than date of composition), incorporating popular song forms (verse, chorus, bridge), style (hip-hop, rock, acoustic, country, etc.), popular instruments (guitar, drums, keyboard, electric bass, etc.), and simple lyrics written in modern language. 

The big question is, can all musical styles be considered sacred? Here's what I think:

"Music has sacred significance and purpose within the liturgy whenever it brings sacred associations to the minds and hearts of the worshipers. Does all music have the potential to acquire sacred meaning? Swain (2012) wrote, 'As long as the music is a means of proclaiming the Word and is not the Word itself, it is theoretically possible for any kind of music to acquire a sacred semantic' (p. 196)." - On Musical Meaning

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Flash Mobs and Other Creative Ways to Come Together in Worship

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Flash Mobs and Other Creative Ways to Come Together in Worship

It's been a tough few weeks in the world. Mass shootings. Acts of terror. Racial injustice. Social injustice. Discrimination. Fear. Hatred.

Again and again we find ourselves here - a hurting, broken people - fighting to break the silence, tear down the walls that divide us, preach the Gospel of love over and over.

This is part of our ministry in church music, I believe. We are the messengers, the ambassadors, the peace-makers and the hope-bringers. We are God's instruments of peace. What a privilege - what a responsibility.

Now, more than ever, we need to come together. We need to unite - our hearts and hands and voices - in proclaiming God's message of love and light and doing His work in the world.

"For if you remain completely silent at this time, relief and deliverance will arise for the Jews from another place, but you and your father’s house will perish. Yet who knows whether you have come to the kingdom for such a time as this?" - Esther 4:14

2016 Reading Session Picks: Youth Choir

2016 Reading Session Picks: Youth Choir

Last week at Music and Worship Arts Week, I joined numerous others (choir directors, singers, organists, etc.) at a series of choral reading sessions.

When I look for youth choir anthems, I look for relevant, meaningful text and beautiful, well-crafted music (here's an inside look at my process). I look for anthems that will inspire and encourage adolescent singers and connect with their faith.

Several publishers (Hope, Alfred, Beckenhorst, GIA, Hinshaw, Lorenz, etc.) were on-site to present the newest offerings from their catalogs and the choral clinicians for the week presented their own reading sessions of their favorite works.

As such, today's post includes a mix of old and new, classic and modern, traditional and more contemporary anthems. (See my reading session picks for adult choir here.) There's also a mix of voicings - everything from unison/2-part up to SATB, depending on the number of voices you have and the level of your group.

I hope you find something meaningful to and accessible for your choir

Follow along with my creative work and daily adventures: @ashleydanyew

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